Red and yellow over white flag
One undeniable fact that makes me
hesitate to watch Filipino-directed films is its poor storyline. However, Baler
managed to surpass my expectation and suspended my disbelief.
The theme of the story is the
classic Romeo and Juliet romantic suspenseful film – a forbidden love worsened
by the presence of war. Romeo was Celso Resureccion who was a half-Spanish and
half-Filipino soldier and felt madly in love with Feliza Reyes who was a young
Baler native.
As a film based upon the siege of
Baler at the near end of the Spanish Colonization, its cinematography is
commendably despite its seemingly insufficient budget. However, the casting of
the characters was evidently Filipino-like – the bankability of the
actor/actress matters most. Jericho Rosales ironically looked more like a
Filipino-native than Anne Curtis. Though the actor/actress portraying the
character doesn’t fit with the role they must play, the reality that the film
is also a business overlooks the said flaw.
The
setting was good but not that commendable. The 19th century
provincial life where almost everyone knows each other and the difficulty of
hiding and keeping secrets was forgotten to be considered. Also, personality of
women in the film, especially Feliza’s failed to present the conservative “Maria
Clara” Filipina. She even goes out even after dark and comes home late without
her parents frantically scolding at her.
However,
the dragging style of the film somehow worked for me. I really felt sympathy to
the starving and desperate soldiers. If I were a Spaniard, I’d be really proud
of my countrymen who were selflessly loyal to their mother land. And I was also
proud of how humane Filipinos were in treating their enemies. Though they had
all the reasons to instantly kill those soldiers, they gave them lots of
chances just to give up and aid them in their needs.
Also,
the way the film conveyed the reality of how Filipinos value their families was
effectively stressed. Though it was cheesy, the actors and actresses made me
feel its genuineness. I highly commend the portrayal of Philip Salvador in this
film. He was the best and most realistic character in the entirety of the
movie.
As
expected from Filipino films, they were only minimal significantly unique
symbolisms used in the film. Most were the obvious and not that essential at
all. The white flag as a symbolism of surrender, ceasefire or defeat, the dog
which was a symbolism of happiness in the smallest of things and gone in a
hurtful manner, and the church as a symbolism of refuge and seclusion were all
the obvious.
However, the character of Feliza
could’ve been portrayed that way to defy the belief that women are weak. The
character of Celso also portrays how we should not let subjectivity and
emotions forget where our obligation and loyalty lies. And the ending where
Feliza smiles with his son at hand symbolizes how Filipinos are brave and
strong individuals, who know to stand again, fight and move on without
forgetting who they owed and what lied in the past.
No comments:
Post a Comment