Loophole to the
middle
Just
when I thought I already understood, the film Sex and Lucia twists its plot in
an odd yet effective manner and left me puzzled even after it ended. My senses
and my thoughts clashed like sandstorm in a barren dessert. It passes through
my mind with a huge impact yet it fails to leave a trail for me to follow
through.
Sex
and Lucia is a single plot-driven film that revealed to me three different
stories efficiently. First was the story of Lucia, a young and beautiful
waitress who knows what she wants and is unafraid chasing after it. Ironically,
when what she wants entails things that she doesn’t want to have or happen, she
runs away and seeks for escape. The second one was the story of Lorenzo. He is
a novelist who falls easily for women and temptation. He had sex with a
stranger in the beach situated in the Mediterranean island. Unknown to him,
Elena (the stranger) became pregnant and gave birth to their daughter named
Luna. And lastly, the third story was the novel of Lorenzo itself. The story
narrates Lorenzo’s fictionalized life and the approach of a never-ending story
because it always comes back to the middle. Also, the film became more
confusing not just because it wasn’t chronologically arranged but the fictional
gist of Lorenzo’s novel becomes, though not always, reality-like.
Though
the sex scenes were explicitly stressed in the movie, the plot remains virgin
and fragile. The cinematography was good but not great. At times, the scenes
become over-exposed. Though I understand that it was meant for the luminosity
of the island, it’s somehow unnecessary for me. The musicality was perfectly
woven to fit each scene. There was not a point that it becomes a distraction.
There were lots of symbolisms in the
movie that can be easily understood but can hardly be defined. These symbolisms
also are interconnected with each other, either consciously or unconsciously
meant by the script writer. The island,
which isn’t really an island, represents isolation and scapegoat. The water
which controls the movement of the island symbolizes steadfast emotion. Each
time a person is experiencing emotional dexterity, he/she feels the control of
the water over the island. The hole in the island is a gateway to another
chapter of one’s life. When Lucia unintentionally plunged inside the hole, the
film’s concentration moved from Lucia and Lorenzo’s relationship to Lorenzo’s
life with Elena and Luna. Also, the moon and the sun represent two important
parts of the movie. The moon is the love tied between Elena and Lorenzo, and
the sun is Lucia and Lorenzo’s.
I commend how the director
understood feminine emotions and masculine passion. The actors and actresses
perfectly portrayed their role in a manner that it became realistic. If I were
Lucia, I should’ve done the same thing – escape when things are really getting
worse. It is of human nature to find ways how to cope up with uncontrollable
misfortunate events of life. Even Lorenzo did the same thing. He wanted to
escape from reality that he became frustrated of his written novel because he
knows that he cannot write the end because he doesn’t know what lies ahead in
his presently miserable life. In the end, everything comes down to one reality.
That life is complicated and uncontrollable. We fall into holes from time to
time. We try to escape. We try to fool ourselves with senseless imagination to
cover up reality.
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